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REMEDIATION / In the early and mid-1990s, perhaps to a greater extent than at any other time since the 1930s, Hollywood produced numerous filmed versions of classic novels, including Hawthorne, Wharton, and even Henry James. There has been a particular vogue for the novels of Jane Austen (Sense and Sensibility, Pride and Prejudice, and Emma).
REMEDIATION / In the early and mid-1990s, perhaps to a greater extent than at any other time since the 1930s, Hollywood produced numerous filmed versions of classic novels, including Hawthorne, Wharton, and even Henry James. There has been a particular vogue for the novels of Jane Austen (Sense and Sensibility, Pride and Prejudice, and Emma).
REMEDIATION / In the early and mid-1990s, perhaps to a greater extent than at any other time since the 1930s, Hollywood produced numerous filmed versions of classic novels, including Hawthorne, Wharton, and even Henry James. There has been a particular vogue for the novels of Jane Austen (Sense and Sensibility, Pride and Prejudice, and Emma).
REMEDIATION / In the early and mid-1990s, perhaps to a greater extent than at any other time since the 1930s, Hollywood produced numerous filmed versions of classic novels, including Hawthorne, Wharton, and even Henry James. There has been a particular vogue for the novels of Jane Austen (Sense and Sensibility, Pride and Prejudice, and Emma).
REMEDIATION / In the early and mid-1990s, perhaps to a greater extent than at any other time since the 1930s, Hollywood produced numerous filmed versions of classic novels, including Hawthorne, Wharton, and even Henry James. There has been a particular vogue for the novels of Jane Austen (Sense and Sensibility, Pride and Prejudice, and Emma).
REMEDIATION / In the early and mid-1990s, perhaps to a greater extent than at any other time since the 1930s, Hollywood produced numerous filmed versions of classic novels, including Hawthorne, Wharton, and even Henry James. There has been a particular vogue for the novels of Jane Austen (Sense and Sensibility, Pride and Prejudice, and Emma).
Some of the adaptations are quite free, but (except for the odd Clueless) the Austen films,
whose popularity swept the others aside, are historically accurate in costume and setting and very faithful to the original novels. Yet they do not contain any overt reference to the novels on which they are based; they certainly do not acknowledge that they are adaptations. Acknowledging the novel in the film would disrupt the continuity and the illusion of immediacy that Austen's readers expect, for they want to view the film in the same seamless way in which they read the novels.
Some of the adaptations are quite free, but (except for the odd Clueless) the Austen films,
whose popularity swept the others aside, are historically accurate in costume and setting and very faithful to the original novels. Yet they do not contain any overt reference to the novels on which they are based; they certainly do not acknowledge that they are adaptations. Acknowledging the novel in the film would disrupt the continuity and the illusion of immediacy that Austen's readers expect, for they want to view the film in the same seamless way in which they read the novels.
Source type: picture
Info: Clueless - The Closet system owned by main character Cher Horowitz
Original size: 480x270 px. Edit
Info: Clueless - The Closet system owned by main character Cher Horowitz
Original size: 480x270 px. Edit